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WELCOME

Taunton Film Society serves Taunton and the surrounding area.

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It is a friendly, flourishing society run by people who love film and who endeavour to curate a well balanced programme of diverse, innovative and thought provoking films from around the world.

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We warmly welcome new Members.

WHERE & WHEN

The Society meets once a month on a Friday evening in The Space Theatre, situated next to the Tacchi-Morris Arts Centre, School Road, in Monkton Heathfield, Taunton TA2 8PD. 

This is a modern theatre on the outskirts of the town, with easy level access, tiered seating, and ample free car parking. There are refreshments on arrival, and time after the film for a discussion… for those so inclined! You can leave feedback on paper slips before you leave, or at your leisure on the Contact page of this website.

 

Doors open at 7.00pm;

films start at 7.30pm.

 

Screenings are open to Members and their Guests - it is possible to join ‘on the night’.

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The website is regularly updated. Refresh your screen to ensure you have the latest information.

NEXT FILM

30 January 2026

A New Kind of Wilderness

A new kind of Wilderness.jpg
Norway 2024  -  Documentary
Director: Silje Evensmo Jacobsen
Cert: 12  -  1 hour 24 minutes

A beautiful film of an off-grid family shattered by bereavement. When photographer Maria Vatne died in 2019, her family had to come to terms with not just the loss of a parent but a whole lifestyle, including their home.

This sad and beautiful documentary from Norwegian film-maker Silje Evensmo Jacobsen tells a painful, complicated story. It’s a story that the director appeared to have chanced upon through following the blog of the brilliant photographer, Maria Vatne, who recorded her idyllic wilderness existence living on a farm in Norway with her British husband Nik Payne and their three home schooled children Ulv, Falk and Freja, and an elder daughter Ronja, from Maria’s previous partner. 

Throughout the film the children bring spontaneous joy, humour and lively play into the story. They joke about each other and their Dad and to his dismay are thrilled by a game on the school iPad they introduce into their device free home.     

The film, with heartfelt sweetness, finally shows the children starting to grow up and move on, while for Nik it is not so easy. And then, over the closing credits, the director springs what is effectively a brilliant, subtle, extra-textual coup de cinema; she directs the audience to Maria’s website, perhaps in the knowledge that they might well read Maria’s blogpost from June 2016, called The Letting Go, which will send you back to watch the film all over again. A deeply humane and emotionally literate piece of work.

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